Posts Tagged ‘Head Phone’

United 747 Historic Flyover SF Fleet Week Air Show Movie And Music

October 9, 2017

#WATCHMOVIE HERE: United 747 Historic Flyover SF Fleet Week Air Show Movie And Music

Youtube https://youtu.be/GU4_EOHom7M

Vimeo https://vimeo.com/237356162


Publication date 2017-10-08
Language English

Aviation History Documentary of the United Airlines 747 flying over Golden Gate Bridge and demo program flown by Joe Sobczak Flight Test Captain at United Airlines with his cockpit crew featured on air show program with Blue Angels and many others in honor of annual San Francisco Fleet Week (SFFW) “San Francisco Fleet Week is an annual public event that honors the contributions of the men and women of the United States Armed Forces” since 1981 – Video and Photos by Jon Hammond and Lawrence Gay – Music “Soon I Will Be Free” by Jon Hammond and “Head Phone” rhythm break down at end – note: framed photo of United 747 Flyover Golden Gate Bridge presented to United Airlines CEO Oscar Munoz – thanks for watching and listening folks! – Jon Hammond – host of Jon Hammond Show MNN TV Channel 1
#Boeing747 #UnitedAirlines #FleetWeek #AviationHistory 

Photo by Lawrence Gay

Historic Flyover, Boeing 747, United Airlines, SF Fleet Week, Joe Sobczak, Jon Hammond, Lawrence Gay, Video, Photos, Soon I Will Be Free, Head Phone, Jon Hammond Band, Music

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Jon Hammond Show 0930

September 24, 2017

#WATCHMOVIE HERE: Jon Hammond Show 0930

Jon’s archive https://archive.org/details/JonHammondShow0930

Youtube https://youtu.be/Hc6ddNTrx6s

Vimeo https://vimeo.com/235221026

Jon Hammond Show – 0930
Manhattan Neighborhood Network – MNN Channel 1
with Jon Hammond Organ Group Live in Times Square, New York City 

Audio recorded on Jon’s Nakamichi 550 with 3 nice Sennheiser microphones
Identifier JonHammondShow0930
Scanner Internet Archive HTML5 Uploader 1.6.3 – by Jon Hammond
Musicians:
Chuggy Carter – percussion
Ray Grappone – drums
Todd Anderson – tenor saxophone
Joe Berger – guitar
Jon Hammond – Hammond B3 + Super Leslie built by Bill Beer Keyboard Products of Los Angeles CA
Jon Hammond Band Ham-Berger-Friz Records Recording Artist 
Publication date 2017-09-24
Usage Attribution-Noncommercial-No Derivative Works 3.0

Topics Jon Hammond Show, Cable Access TV, Hammond B3, Organ, Funky 
Jazz, Percussion, Drums, Saxophone, Electric guitar, Ellington, Times 
Square New York
Language English
FIRST Segment:

Ellington Room Session Pocket Funk

Posted on September 19, 2017

Ellington Room Session – Pocket Funk
by Jon Hammond Band – Jon Hammond B3 Organ + Super Leslie, Todd Anderson tenor saxophone, Chuggy Carter percussion, Joe Berger guitar, Ray Grappone drums ©JON HAMMOND 
SECOND Segment: 

Ellington Room Session LYDIA’ S TUNE

Posted on September 19, 2017

Ellington Room Session – LYDIA’S TUNE – bossa nova original composition by Jon Hammond at his 1959 Hammond B3 organ + Super Leslie, Ray Grappone drums, ‘Chuggy’ Leslie J. Carter percussion, Todd Andersontenor saxophone, Joe Berger guitar – audio recorded live on Jon’s 1976 Nakamichi 550 with Sennheiser microphones
THIRD Segment: 

Ellington Room Session NO X CESS BAGGAGE BLUES

Posted on September 20, 2017

Ellington Room Session NO X CESS BAGGAGE BLUES – Jon Hammond Band, Jon’s ode to Pakistan International Airlines PIA who took Jon on many Transatlantic flights with excessive baggage –  

HEAD PHONE Nakamichi 550 Audio Pics And Video Ellington Room

Posted on September 23, 2017

HEAD PHONE Nakamichi 550 Audio pics and video Ellington Room *Note: I did best job of synching I could do, this is actual audio recorded on my 1976 Nakamichi 550 using Maxell Type II Audio Cassettes, 3 Sennheiser microphones – Jon Hammond at my 1959 Hammond B3 organ + Bill Beer Super Leslie Speaker / Keyboard Electronics of Los Angeles built Leslie for me in 1971 – Ray Grapponedrums, Joe Berger guitar, Todd Anderson tenor saxophone, Chuggy Carter percussion – in the Ellington Room for my neighbors in Times Square, New York City – “Head Phone” composed by Jon Hammond ©JON HAMMOND International / American Society of Composers, Authors & Publishers (ASCAP) #HammondB3 #HeadPhone #Sennheiser #Ellington #Nakamichi #Funk #JazzColor color

Head Phone, Funk, Hammond B3, Ellington, Nakamichi, Jazz, Ascap, Sennheiser, Cassettes, #HammondB3

HEAD PHONE Nakamichi 550 Audio Pics And Video Ellington Room

September 23, 2017

#WATCHMOVIE HERE: HEAD PHONE Nakamichi 550 Audio Pics And Video Ellington Room

Jon’s archive https://archive.org/details/HEADPHONENakamichi550AudioPicsAndVideoEllingtonRoom

Youtube https://youtu.be/2Ky9gglVU3I

Vimeo https://vimeo.com/235113942

HEAD PHONE Nakamichi 550 Audio pics and video Ellington Room *Note: I did best job of synching I could do, this is actual audio recorded on my 1976 Nakamichi 550 using Maxell Type II Audio Cassettes, 3 Sennheiser microphones – Jon Hammond at my 1959 Hammond B3 organ + Bill Beer Super Leslie Speaker / Keyboard Electronics of Los Angeles built Leslie for me in 1971 – Ray Grapponedrums, Joe Berger guitar, Todd Anderson tenor saxophone, Chuggy Carter percussion – in the Ellington Room for my neighbors in Times Square, New York City – “Head Phone” composed by Jon Hammond ©JON HAMMOND International / American Society of Composers, Authors & Publishers (ASCAP) #HammondB3 #HeadPhone #Sennheiser #Ellington #Nakamichi #Funk #JazzColor color


Publication date 2017-09-23
Language English

Head Phone, Funk, Hammond B3, Ellington, Nakamichi, Jazz, Ascap, Sennheiser, Cassettes #HammondB3

Jon Hammond Show 0902

August 30, 2017

#WATCHMOVIE HERE: Jon Hammond Show 0902

Jon’s archive https://archive.org/details/JonHammondShow0902

Youtube https://youtu.be/IMCz4snnqN0

Vimeo https://vimeo.com/231510769

Stand 523 Summer NAMM Head Phone Funk Tune – Jon Hammond at the Hammond
XK-5 System Organ model 3300W Leslie Speaker, Joe Berger guitar, Chuggy
Carter percussion, Robby Robinson sitting in with the boys – Photo by:
Stuart Robertson – Special thanks Steve Simmons and Steven Eaklor
Hammond Organ USA Suzuki Musical Instruments#HammondOrgan #NAMMShow
#HeadPhone #Funk
Identifier Stand523SummerNAMMHeadPhoneFunkTune
Scanner Internet Archive HTML5 Uploader 1.6.3

Language English

by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics

#Hammond Organ, Head Phone, Suzuki Musical Instruments, Jon Hammond,
Robby Robinson, Chuggy Carter, Nashville, #Funk

#WATCHMOVIE HERE: Harry Shearer Interview With Jon Hammond

Jon’s archive https://archive.org/details/HarryShearerInterviewWithJonHammond

Youtube https://youtu.be/MByRDtzWZB4

Vimeo https://vimeo.com/231223997

Nashville Tennessee — Harry Shearer Interview with Jon Hammond just
before Harry accepted the American Eagle Award along with Crystal Gayle
and Patti Smith from the US National Music Council during Summer NAMM
Show – for broadcast on Jon Hammond Show on MNN TV Channel 1 in
Manhattan – Harry’s Wiki https://en.wikipedia.org/wiki/Harry_Shearer

“Harry Julius Shearer (born December 23, 1943) is an American actor,
voice actor, comedian, writer, musician, author, radio host, director
and producer. He is known for his long-running roles on The Simpsons,
his work on Saturday Night Live, the comedy band Spinal Tap and his
radio program Le Show. Born in Los Angeles, California, Shearer began
his career as a child actor. From 1969 to 1976, Shearer was a member of
The Credibility Gap, a radio comedy group. Following the breakup of the
group, Shearer co-wrote the film Real Life with Albert Brooks and
started writing for Martin Mull’s television series Fernwood 2 Night.

He was a cast member on Saturday Night Live on two occasions, between
1979–80, and 1984–85. Shearer co-created, co-wrote and co-starred in the
1984 film This Is Spinal Tap, a satirical rockumentary, which became a
cult hit. In 1989, Shearer joined the cast of The Simpsons; he provides
voices for numerous characters, including Mr. Burns, Waylon Smithers,
Principal Skinner, Ned Flanders, Reverend Lovejoy, Kent Brockman, Dr.
Hibbert and more. Shearer has appeared in several films, including A
Mighty Wind and The Truman Show, has directed two, Teddy Bears’ Picnic
and The Big Uneasy, and has written three books. Since 1983, Shearer has
been the host of the public radio comedy/music program Le Show, a
hodgepodge of satirical news commentary, music, and sketch comedy.

Shearer has won a Primetime Emmy Award, has a star on the Hollywood Walk
of Fame in the radio category, and has received several other Emmy and
Grammy Award nominations. He has been married to singer-songwriter
Judith Owen since 1993. He is currently “artist in residence” at Loyola
University, New Orleans. Shearer was born December 23, 1943 in Los
Angeles, the son of Dora Warren (née Kohn) (d. 2008), a bookkeeper, and
Mack Shearer.[2] His parents were Jewish immigrants from Austria and
Poland.[3][4] Starting when Shearer was four years old, he had a piano
teacher whose daughter worked as a child actress. The piano teacher
later decided to make a career change and become a children’s agent, as
she knew people in the business through her daughter’s work. The teacher
asked Shearer’s parents for permission to take him to an audition.
Several months later, she called Shearer’s parents and told them that
she had gotten Shearer an audition for the radio show The Jack Benny
Program. Shearer received the role when he was seven years old.[5] He
described Jack Benny as “very warm and approachable […] He was a guy
who dug the idea of other people on the show getting laughs, which sort
of spoiled me for other people in comedy.”[6] Shearer said in an
interview that one person who “took him under his wing” and was one of
his best friends during his early days in show business was voice actor
Mel Blanc, who voiced many animated characters, including Bugs Bunny,
Daffy Duck and Barney Rubble.[7] Shearer made his film debut in the 1953
film Abbott and Costello Go to Mars, in which he only had a small part.
Later that year, he made his first big film performance in The Robe.[6]
Throughout his childhood and teenage years he worked in television,
film, and radio.[6] In 1957, Shearer played the precursor to the Eddie
Haskell character in the pilot episode of the television series Leave It
to Beaver. After the filming, Shearer’s parents said they did not want
him to be a regular in a series. Instead they wanted him to just do
occasional work so that he could have a normal childhood. Shearer and
his parents made the decision not to accept the role in the series if it
was picked up by a television network…Cont…

Jon Hammond Show LATE RENT Theme Song – annual Musikmesse Session in Jazzkeller Hofheim – swinging funky jazz and blues as seen on cable TV in New York City for 34 years every late Friday night The Jon Hammond Show – featuring Peter Klohmann the tenor saxophonist, Giovanni Totò Gulino the drummer, Joe Berger aka The Berger-Meister is the guitaris and Jon Hammond at the Sk1 Hammond organ + bass – special thanks Konrad Neupert, Bille Zurück for cooking the beautiful food for us, Alex & Phillip the sound men and the whole Jazzkeller Hofheim Team in Hofheim am Taunus – we’ll be back next year! – Jon Hammond & Band – “Musikmesses-Session mit Jon Hammond
Fr 07. April 2017” — Schon traditionell findet bei uns zur Frankfurter Musikmesse ein Treffen hochkarätiger Musiker statt. Wie auch in den vergangenen Jahren ist der aus New York stammende Orgelspieler Jon Hammond, mit Joe Berger „Berger-meister“, Giovanni Gulino und weiteren Überraschungsgästen, angesagt.
Im Spiel geht Jon Hammond absolut in seiner Musik und seiner Leidenschaft für den guten alten Hammond-Sound auf. Mit 18 Jahren kaufte er sich seine erste Hammond B3 und tourte mit der Rockband Hades im Vorprogramm von Tower Of Power oder Michael Bloomfield. Ein regelrechter Genießer: Seinen Kopf wiegt er ständig von einer Seite zur anderen. Die linke Hand ersetzt größtenteils den Part eines Bassisten, zusätzlich zu den verschiedenen Klangfarben, die er manuell justiert.
Die Musiker, die die Jon Hammond Show auf der Bühne komplettieren sind Joe Berger und Giovanni Gulino. Der Gitarrist Joe Berger gleicht einem Saiten-Hasardeur. Er spielte bereits mit Who-Bassist John Entwistle und sorgte in dessen Band für den Studio-Mix. Giovanni Gulino ziseliert an den Becken, setzt genaue Akzente auf der Fußtrommel und spielt leichte, luftige Melodien auf der Snare.
Jon Hammond – Orgel
Joe Berger „Berger-meister“ – Gitarre
Giovanni Totò Gulino – Schlagzeug
Peter Klohmann – saxofon
http://www.jonhammondband.com
Late Rent Späte Miete

Producer Jon Hammond
Language English
Usage Attribution-Noncommercial-No Derivative Works 3.0

The Hammond M3 Speaks again! spcl. thanks Paul Patterson – according to the serial number this is a 1960 unit:

139443 1960 66 Jerry Miller
139818 1960 33 Michael Kern
140148 1960 33 Rick Prevallet
140640 1960 100 Henning Hojen, Denmark
141018 1960 100 Dan Albrecht
141294 1960 100 Jeremy Symons (UK)
141493 1960 100 Lorraine Yasinski
141630 1960 100% Alan D. Quilley ”

Language English

by Jon Hammond

Publication date 2017-08-28
Usage Attribution-Noncommercial-No Derivative Works 3.0
Identifier JonHammondShow0902
Scanner Internet Archive HTML5 Uploader 1.6.3

Funky Jazz, Cable access TV, Podcast, Harry Shearer, Head Phone, Manhattan Neighborhood Network, Hammond Organ, Frankfurt musikmesse, Jazzkeller Hofheim, Late Rent, #HammondOrgan #MNNTV #HammondCast

Stand 523 Summer NAMM Head Phone Funk Tune

August 22, 2017

#WATCHMOVIE HERE: Stand 523 Summer NAMM Head Phone Funk Tune

Jon’s archive https://archive.org/details/Stand523SummerNAMMHeadPhoneFunkTune

Youtube https://youtu.be/tVMdWzskB-c

FB https://www.facebook.com/pg/jonhammondband/posts/

Stand 523 Summer NAMM Head Phone Funk Tune – Jon Hammond at the Hammond XK-5 System Organ model 3300W Leslie Speaker, Joe Bergerguitar, Chuggy Carter percussion, Robby Robinson sitting in with the boys – Photo by: Stuart Robertson – Special thanks Steve Simmons and Steven Eaklor Hammond Organ USA Suzuki Musical Instruments#HammondOrgan #NAMMShow #HeadPhone #Funk
Identifier Stand523SummerNAMMHeadPhoneFunkTune
Scanner Internet Archive HTML5 Uploader 1.6.3

Language English

by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0 Topics

#Hammond Organ, Head Phone, Suzuki Musical Instruments, Jon Hammond, Robby Robinson, Chuggy Carter, Nashville, #Funk

Jon Hammond Show 0812

August 9, 2017

#WATCHMOVIE HERE: Jon Hammond Show 0812

Jon’s archive https://archive.org/details/JonHammondShow0812

Youtube `https://youtu.be/e3rhHaMHWHI

Jon Hammond Show broadcast for 0812 on MNN TV Channel 1 Public Access TV Manhattan Neighborhood Network – Air Time: 01:30 AM on 08/12 – first segment: Opening intro this week at Anaheim Hilton Hotel “Head Phone” Jon Hammond Band with Bernard Purdie drums, special guest Koei Tanaka chromatic harmonica and then to Nashville Tennessee exclusive interview, Jon Hammond speaking with Harry Shearer just before he is awarded the American Eagle Award along with Crystal Gayle and Patti Smith – Paul Shaffer presented the award.

Same night, Jon jumps a cab over to Big Shotz Nashville to play the first night (of 3) for the Mothertone Summer NAMM Party “Mother of All Hangs” – live performance of Jon’s funk tune “Head Phone” – Jon Hammond Band with Kayleigh Moyer drums, Chuggy Carter percussion, Joe Berger guitar, Jon Hammond Sk1 Hammond organ + bass – 3rd year at Michael Turner’s annual Summer NAMM Mothertone Extravaganza!

3rd segment:
Nashville, Tennessee –Jon Hammond Show Theme Song LATE RENT at the Mothertone Party, first night of 3 ‘Mother of All Hangs’ Summer NAMM Show Extravaganza produced / presented by Michael Turner annually with great Mothertone musicians and guest artists: Kayleigh Moyer drums, Chuggy Carter percussion, Joe Berger guitar, Jon Hammond organ bass — special thanks Dawn Moyer, mix by Skylar Leigh Duval, JC Clifford, Steve Simmons on the scene! Thanks for your concern when I almost fell over Steve! I’m OK! thanks everybody! My 3rd year, c u next year! Jon #Mothertone #Drums #Organ #NAMM #Nashville
http://www.Hammondcast.com
Scanner Internet Archive HTML5 Uploader 1.6.3

Language English

by Jon Hammond

Identifier JonHammondShow0812
Scanner Internet Archive HTML5 Uploader 1.6.3

Nashville Special, Summer NAMM, MNN TV, Jon Hammond Show, Funk, Jazz, Hammond Organ, Head Phone, Late Rent, #LateRent #HammondOrgan

HEAD PHONE at Sound Soul Summit Hammond Organ NAMM Showcase

May 15, 2017

#WATCHMOVIE HERE: HEAD PHONE at Sound Soul Summit Hammond Organ NAMM Showcase

Jon’s archive https://archive.org/details/THESOUNDSOULSUMMITAllStarJamJonHammondBandFeaturingBernardPurdie

Youtube https://youtu.be/7TApELTO1XI

Head Phone – Jon Hammond Band THE SOUND SOUL SUMMIT All-Star Jam Video Movie

Bernard Purdie on Jon Hammond Band “Head Phone”

Koei Tanaka (harmonica) on Jon Hammond Band “Head Phone”

Bernie Capicchiano, Shuji Suzuki, Shigeyuki Ohtaka, Jon Hammond, Jon Lord – Hammond Suzuki

Pre Summit Hammond Party – last public appearance of Keith Emerson sadly – pictured here with Hammond endorsees

Keith Emerson playing just after Jon Hammond on Sound Soul Summit NAMM Showcase

Bernard Purdie on Jon Hammond Band “Head Phone” does a little dance after feature funk solo

Jon Hammond and Dr. Lonnie Smith at Hammond Sound Soul Summit

Joe Lamond President CEO NAMM awards Shuji Suzuki, Stephen Fortner and Gregg Gronowski – photo Jon Hammond

Jon Hammond and Steve Simmons – Hammond Organ Co. USA at NAMM

Lawrence Gay master photographer and Jon Hammond at Hammond Organ Co. USA stand at NAMM

Jon Hammond – Portable New B3 “Head Phone” Hammond Sound Soul Summit

Peter Nguyen and Jon Hammond – Hammond Organ Co. USA stand at NAMM

Jon’s Band Featuring Bernard “Pretty” Purdie, Alex Budman, Joe Berger2, Koei Tanaka, Jon Hammond Organ Group — with Stephen Fortner, Scott May, Joe Berger, Koei Tanaka and Jon Hammond at NAMM Anaheim Convention Center Hilton Anaheim Lobby Special Program on 80th Anniversary of Hammond Organ USA – Front of House / FOH Mix by Brian English – Denny Mack Audio – announcement – Stephen Fortner – Editor Keyboard Magazine Jon Hammond Organ Group *Note: “Head Phone” composed by Jon Hammond ©JON HAMMOND Intl. ASCAP recorded with Bernard Purdie originally on Jon’s album Late Rent in year of 1989 – Big Special Thanks toJay Dittamo for standin’ in the cuff for Bernard, thanks Jay! special thanks to Scott May and Gregg Gregory Gronowski – Hammond Suzuki Musical Instruments Team Mr. M. Terada, Shuji Suzuki, Yu Beniya, Shigeyuki Ohtaka, Jeff Guilford JJ Guitars UK
— with Joe Berger, Alex Budman, Stephen Fortner,Jay Dittamo, Bernard Purdie, Denny Mack and Brian English, Koei Tanaka, Hilton Anaheim
http://www.jonhammondband.com

Jon Hammond Band Makes Trade Show History with Joe Lamond President CEO of NAMM on the band at musikmesse Photos Just In from Andreas Meer

*Note: Andreas Meer the great Master Rock Photographer lives in Frankfurt Germany – thanks for these fine photos Andreas!

L to R:

Special Events Announcer Eleftherios Mavros aka Mavros Freitag, Joe Berger the guitarist, Peter Klohmann tenor saxophonist, Jon Hammond leader-organist + bass, Joe Lamond President CEO of NAMM ex Tommy Tutone Band drums, Michael Falkenstein keyboards, Giovanni Totò Gulino drums – on Center Stage musikmesse ProLight + Sound – special thanks:
Wolfgang Lücke director Special Events & Entertainment Musikmesse and Prolight + Sound:

Jon’s archive https://archive.org/details/MusikmesseJonHammondAllstarBandSpecialGuestsCenterStage

musikmesse Jon Hammond Allstar Band Special Guests Center Stage: Joe Lamond d. from Tommy Tutone Band, Michael Falkenstein p. from James Brown – Band: Peter Klohmann t.s., Giovanni Totò Gulino d., Joe Berger g., Jon Hammond o. b. – Special Events Announcer
Eleftherios Mavros aka Mavros Freitag – Special Thanks Wolfgang Lücke Messe Frankfurt musikmesse Prolight + Sound Team

Michael Birk Veranstaltungslogistik GmbH Stage Crew

photo credit Bernie Capicchiano / Bernies Music Land of Australia

With Joe Lamond and Giovanni Totò Gulino – Photo by Andreas Meer:

Jon Hammond and Bernard Purdie – NAMM Show

Bernard Purdie, Fatback drums, Jon Hammond, 80th Anniversary of Hammond Organs, NAMM Show, Hilton Hotel, Koei Tanaka, Suzuki Musical Instruments, ASCAP, Head Phone, Alex Budman, Joe Berger, Local 802, #HammondOrgan #Purdie #NAMM #JonHammond

NDR Horns play funky HEAD PHONE

October 29, 2016

#WATCHMOVIE HERE: NDR Horns play funky HEAD PHONE

Jon’s archive https://archive.org/details/AusterJazzHeadPhoneNDRHornsFunkyHeinz

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#135

Auster Jazz Head Phone NDR Horns Funky Heinz – 3 + 3

Jon Hammond Band Live in Auster Bar Hamburg with funky Heinz Lichius drums, NDR Horns: Michael Leuschner trumpet, Lutz Büchner tenor sax, Fiete Felsch alto sax, Joe Berger guitar, Jon Hammond organ + bass – http://www.HammondCast.com/ Note: Joe Berger is playing Futhark Guitars -Jon Hammond – Hammond organ made by Suzuki Musical Instruments – special thanks to our friend and excellent drummer Nicolai Ditsch for operating the camera! & Auster Bar Team Frank Blume & Torsten Wendt

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Funky Jazz, Hamburg, Auster Bar, NDR Horns, Jon Hammond, Sk1, Organ, Trumpet, Saxophones, Guitar, drums, Head Phone, ASCAP Composer

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Producer Jon Hammond
Language English

Sennheiser In The News led by system designer Norbert Hilbich AMBEO 3D audio soundscapes guidePORT system wow! Jon Hammond

Courtesy of Installation AV integration in a networked world

LINK http://www.installation-international.com/sennheiser-to-provide-3d-music-for-va-revolution-exhibition/

Photo: Dave Robinson –Sennheiser audio solutions

Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones

Installation AV Says: “Sennheiser has announced a new collaboration with the Victoria and Albert Museum (V&A) in London for the forthcoming exhibition You Say You Want a Revolution? Records & Rebels 1966 – 1970.

The exhibition will open to the public on 10 September 2016 and run until 26 February 2017, following which it will tour internationally. Sennheiser will provide immersive sound utilising its AMBEO 3D audio technology delivered through a guidePORT audio guide system.

Curated by Geoffrey Marsh and Victoria Broackes, the curatorial team behind the V&A’s David Bowie is, the new exhibition is designed in six distinct sections. It will explore the late 1960s through hundreds of exhibits from the V&A’s extensive collections alongside a selection of loans that range from design, music, film, fashion and consumer products to photography, posters and books. It is designed by Nissen Richards Studio, with video content designed by Fray studio, and sound design by Carolyn Downing.

Music will play a key role in the exhibition, said Broakes: “The music running through You Say You Want a Revolution will represent the backbone and heart of the exhibition; it will be an object in itself. Therefore, we are delighted to be working with Sennheiser once again. Their expertise in 3D immersive audio will push the limits of the sound experience still further.”

Working closely with the exhibition’s sound designer Carolyn Downing, the Sennheiser team, led by system designer Norbert Hilbich (left of picture), will be setting up two AMBEO 3D audio soundscapes. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s while the other will recreate a live concert atmosphere with upmixed audio material from the period.

Hilbich told Installation that the new exhibition will contain a lot more music than David Bowie is. “We have quite a big bunch of songs that they think we should transfer to 3D audio, but the process is not finished. There are plenty of ideas – we now have to [think about] how we put it into operation, what will it sound like, which part of the songs we should take and so on.”

After being set up in the studio, Hilbich added, the mix will be adjusted on site to suit the acoustics of the venue – as was also done with the Bowie exhibition.

Visitors will be accompanied through the exhibition by a Sennheiser audio guide system. The guidePORT system will deliver hundreds of personal, automatically triggered stereo feeds simultaneously. It will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the late 1960s. The system at the V&A will comprise 750 receiver units with high-quality headphones, along with several transmission and trigger units that will be hidden from sight.

Robert Genereux (right of picture), business director system design at Sennheiser, said: “The headphone part [using the guidePORT system] will be similar, but along the way they are going to create ‘disturbances’ in the headphone experience in different sections. This will be a little bit of a difference [from] the guidePORT experience for Bowie, which is uniform all the way from the beginning to the ‘show moment’.”

Daniel Sennheiser, CEO of Sennheiser – pictured (centre) holding a replica of a 1968 set of Sennheiser headphones – commented: “We are absolutely thrilled to cooperate with the Victoria and Albert Museum on yet another fantastic project. The V&A is uniquely positioned to curate an exhibition about this transformational time in our more recent history. The artistic quality of the exhibition together with spectacular exhibits and an innovative state-of-the-art sound experience, featuring Sennheiser’s AMBEO 3D audio technology, will make this exhibition a truly immersive experience.”

Photo courtesy of PSN Europe: Dave Robinson

“Bag O’Nails staircase pic: Sennheiser’s Robert Genereux (business director system design, strategic collaborations); Daniel Sennheiser, holding the reproduction HD414s; Eric Clapton(!) c. 1968; Norbert Hilbich (Sennheiser director spectrum affairs & system design)”

PSN Europe Says: “Sennheiser to play major role at Sgt Pepper exhibition”

LINK http://www.psneurope.com/sennheiser-to-play-major-role-at-sgt-pepper-exhibition/

“Shards from Jimi Hendrix’s and Pete Townshend’s shattered guitars… The brown fringe jacket Roger Daltrey wore at Woodstock…. Handwritten lyrics for Lucy in the Sky with Diamonds by the Beatles… The suits worn by John Lennon and George Harrison on the cover of Sgt. Pepper’s Lonely Hearts Club Band…

All of these incredible artefacts are to be included in a major cultural retrospective to be held at the Victoria & Albert (V&A) Museum in September 2016. Called You Say You Want a Revolution? Records and Rebels 1966–70, the exhibition will explore the era-defining significance and impact of the late 1960s upon life today.

It follows the success of 2013’s David Bowie Is – the most popular exhibition ever held at the V&A – and once again, Sennheiser technology, including the guidePORT system and the emerging AMBEO 3D environment, will play a major part in the presentation and production of the show.

You Say You Want a Revolution? Records and Rebels 1966–70 will “investigate the upheaval, the explosive sense of freedom, and the legal changes that took place resulting in a fundamental shift in the mindset of the Western world”, say the curators, Victoria Broakes and Geoffrey Marsh. More than 350 objects from the period, encompassing photography, posters, literature, music, design, film, fashion, and performance, have been procured for the show: even a moon rock, and an Apple 1 computer (of which there are only four working models in the world).

Details of Record and Rebels 1966-70 – which will run from September 2016 to February 2017 – were revealed at former legendary ’60s bar (now a private club) the Bag O’ Nails, just off London’s Carnaby Street, at the end of February. Martin Roth, director of the V&A, said it was one of the most important exhibitions the museum had curated. Broakes and Marsh agreed that the Sgt Pepper suits were some of the most difficult objects to secure – but they were items considered essential to the show.

Levi’s and Sennheiser are key sponsors of the event, along with outfitter Fenwick and stylist Sassoon.

“I knew some of the concept, but not all of it until today, so and I think it’s going to be a really, really exciting exhibition!” Sennheiser co-CEO Daniel Sennheiser told PSNEurope at the launch. He noted that one of the show themes – how the 1960s have shaped how we think today – is very much in tune with his company philosophy.

In an introductory speech at the Bag O’Nails, Daniel spoke of how his grandfather’s business had mass-produced the HD414 headphones starting in 1968, and how it had gone on to be the “most sold headphone in the world”. Later, while clutching a pair based on the original ’60s design, Daniel told PSNEurope that the phones were never planned as a product but came about when some of the Sennheiser engineers were “playing around with microphone capsules” and noticed the transparency of the sound when they were placed close to the ear.

“My grandfather [Fritz Sennheiser] said, OK, let’s make a product out of it. He asked the distributor at the time how many they could sell. But no one could imagine having a hi-fi sound ‘in your head’. The distributor said, maybe 500 worldwide! But grandfather said, to make it work financially, I need to make 5,000.

“So he made 5,000 – and it was sold out in three months. And today, more than 12m pieces have been produced. And we can still sell you replacement earpads for a 1968 pair!” revealed Daniel.

Working with the exhibition’s sound designer Carolyn Downing, the Sennheiser team (led by system designer Norbert Hilbich) will be setting up two AMBEO 3D audio soundscapes at the museum. One will place visitors in an immersive environment evoking the political issues and fight against censorship and the establishment of the late 1960s; the other will recreate a live concert atmosphere with upmixed audio material from the period.

Of AMBEO 3D – demonstrated in London last year but launched official at CES earlier in 2016 – Daniel says: “The idea is to transport you into a different place.

“We’re still learning how to use it and what we [can] do with it. It’s not just one technology, it’s about the capturing, the mixing, the creation of the spacial audio, then the processing and the playback. [But] that’s where Sennheiser is uniquely positioned [at the V&A]: to provide the 3D audio and create an emotional experience in an exhibition which is already emotive in its content, so it’s a really good case study and demonstration for us.”

Visitors will be accompanied through the exhibition by Sennheiser’s guidePORT system, as they were for David Bowie Is…. GuidePORT can deliver hundreds of personal, automatically triggered stereo feeds simultaneously, and will transmit real-time, lip-sync audio to fully immerse visitors in the sights and sounds of the period. The V&A implementation will comprise 750 receiver units with premium headphones (though Daniel didn’t know which models at the time), along with several transmission and trigger units, hidden from the public eye.

David Bowie Is has been on tour ever since the March 2013 V&A launch: it’s visited Toronto, Sao Paolo, Chicago, Melbourne, the Netherlands and is about to open in Tokyo. Daniel remarks, “If [Records and Rebels] is successful, I would love it to go on tour – but that is the V&A’s decision.”

Is Daniel a big fan of music from the era? “I would have loved to have been alive at that time. I’m a big fan of Zappa, Hendrix, Bob Dylan. I play guitar and piano – but I have more passion than talent!”

www.sennheiser.com

http://www.vam.ac.uk/content/exhibitions/exhibition-you-say-you-want-a-revolution-records-and-rebels-1966-70/

Jon Hammond’s Sennheiser evolution microphone Monophonic Recorder combo Headphone HD 25-1 Classic and Song

Jon Hammond: Back to Mono with Sennheiser combo TASCAM product DR-10X Plug-on Micro Linear PCM Recorder for XLR Connection (flipped over):
Monophonic High fidelity Folks! True Hi-fi

Jon Hammond playing his 1968 Gibson Byrdland – owned since 18 years old

Front and Back Jon Hammond’s 1968 Gibson Byrdland

Jon Hammond interviewing the great Roy Clark with Sennheiser evolution e855 microphone – Roy is a long-time Gibson Byrdland virtuoso!

Jon Hammond 1965 Fender Bandmaster Blackface on the bench

Jon’s Bandmaster Fender Head paired with Bag End 15″ coaxial speaker bottom

Jon Hammond flanked by Sennheiser co-CEO’s Dr. Andreas Sennheiser and Daniel Sennheiser

foto by Christian Burkert:

Sennheiser to open Soundscape Showroom in the Westfield World Trade Center
http://www.nydailynews.com/new-york/manhattan/daniel-sennheiser-open-soundscape-showroom-nyc-article-1.2815943 – Jon Hammond
“Daniel and Andreas Sennheiser who run the blossoming Sennheiser company, an audio business based in Germany. (CHRISTIAN BURKERT)”
BY
EBENEZER SAMUEL
NEW YORK DAILY NEWS
Monday, October 3, 2016, 2:47 PM
“Daniel Sennheiser knows exactly what he’s up against.

Along with his brother Andreas, Daniel Sennheiser runs the blossoming Sennheiser company, a blossoming audio business based in Germany. But he’s watched and admired New York City for a long time, come to appreciate the business challenges of the Big Apple.

And along the way, Sennheiser says, he’s come to view New York City as a pivotal battleground for any business ready to go global.

“New York has been the beginning of a lot of things,” Sennheiser says. “This is a melting pot, that has brought up so many things, brought up Broadway. New York is very fast-living. And that’s positive in a sense that they’re quick to pick up new trends and things.
“But that also means you need to make a certain amount of noise.”

And now, it’s time for Sennheiser to make some noise. In late October, the company will take up residence in the Big Apple, opening the Sennheiser Soundscape Showroom in the Westfield World Trade Center.

It’s a venue that will be filled with Sennheiser’s unique products, but the focus isn’t on selling. Instead, Sennheiser is focused on introducing New Yorkers to its distinctive audio, part of a first step in establishing the company as a sound powerhouse in a nation that’s spent the last few years in the midst of a great headphone awakening.

“We believe it’s the right time for us to make a big splash to share our version of the future of audio with New York,” says Andreas.

It’s an intriguing vision from a company that’s long delivered high-quality sound but has consistently lacked the profile of the bigger names in the industry. Beats by Dre and Bose own the majority of U.S. mindshare, and both companies are highly visible, utilized by both celebrities and major sports franchises.
Sennheiser has never had such presence, and that’s mostly by choice. Look closely during your next NBA on TNT broadcast, and you may notice Sennheiser headsets on the play-by-play guys. But the company has historically done little marketing, preferring to let its devices shine on their own merits.

The Soundscape Showroom isn’t the start of some massive ad campaign, either. But it is part of a company-wide initiative to be more visible in the United States, to draw more notice to an underrated line of products. Just a few years ago, the company set up a small pop-up store on the East Side. With the Soundscape Showroom, it’s going bigger, aiming to be a national presence.

“It’s to raise a little awareness. We’re just not present enough,” Daniel says, before talking proudly of Sennheiser’s lore. “Sennheiser is the inventor of the hi-fi headphone. Not a lot of people know that.”

Indeed, few realize just how potent Sennheiser products truly are. It was Sennheiser that released the first pair of open headphones way back in 1968, and it’s Sennheiser that’s continued to chase perfect, pure sound throughout the last few decades.

And it’s Sennheiser that last year debuted the HE1 Orpheus, a handcrafted set of headphones powered by a massive amplifier built from marble and driven by gold-vaporized electrodes and platinum vaporized-diaphragms. It’s a device that costs tens of thousands of dollars and is hardly for use with your iPad on the train – but it’s a device that showcases Sennheiser’s pursuit of high-level sound.

“Sennheiser has been on the forefront of audio strategy for years,” says Daniel. “We just added the sexy aesthetics after we did the sound.”

Sound remains the company’s top priority, but in recent years, it’s been pushing to match the more attractive headphones delivered by the likes of Beats and Bose. There’s the Momentum line of headphones, a sharp-looking line of headphones with rugged leather bands that seem tailor made for the stylish Manhattanite.

And just this summer, Sennheiser released the PXC 550, a noise-canceling Bluetooth pair of cans designed to go head-to-head with Bose’s QuietComfort line, but with touch controls built onto the earcups.
These products, says Daniel Sennheiser, are examples of Sennheiser’s ability to adapt to culture, proof that the company’s products truly can fit the New Yorker. The Sennheiser aesthetic is unique, and the Momentums are especially eye-catching units, as fashion-conscious as they come.

The hope is that consumers enter the Soundscape Showroom and see these products, falling in love with a new brand of headphone.

“The qualities (of Sennheiser headphones) are great — the material, the leather, the steal,” Daniel says. “But you also have to have the opportunity to touch it. In our experience, audio is something you can’t describe. You have to put it on your head.

“Sennheiser is not a brand for everyone. I think we’re a brand for people who are in the know, who are creative, who really look for special things. That’s why I think a place like New York is the place to be.”

And that’s precisely why Sennheiser is finally here, with the Soundscape Showroom as its first truly potent portal in the United States. The goal is to build from here, Andreas says, to finally aggressively cultivate the Sennheiser brand in the U.S.

It won’t be easy, not with Beats and Bose dominant. But Sennheiser arrives prepared.

“We have a serious plan, but we’re also nimble enough to adjust,” says Daniel. “As Frank Sinatra said, ‘If you can make it here, you can make it everywhere.'”

Interviews Sennheiser Jon Hammond Headphones Microphones Organ Accordion Music Archive NAMM Musikmesse

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

NAMM Oral History Interview Jon Hammond by Dan Del Fiorentino and Tony Arambarri

Jon’s archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0

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Youtube https://youtu.be/Faq_A58v4sE

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Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker

Jon’s archive https://archive.org/details/JonHammondJonHammond_NAMM.orgOralHistoryInterviewDate_January13_2011FullVersion_0

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Youtube https://youtu.be/Faq_A58v4sE

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Topics NAMM Oral History, Musikmesse, Mini-B, NAMM, G37, G27, Leslie Speaker, Onions, Jazz, Blues, Musicians Union, Local 802, ASCAP, KYOU Radio, Anaheim, Frankfurt, B3 Organ, XB-2, Leslie Speaker

Jon Hammond | NAMM.org Oral History Interview Date: January 13, 2011

namm.org/ library/ oral-history/ jon-hammond

Jon Hammond
Interview Date: January 13, 2011
Job Title: President and Founder
Company: Jon Hammond & Associates
accordions electric organs Hammond B-3 Hammond Organs Jazz Music Manufacturing Musicians

Jon Hammond


Jon Hammond has successfully created a career based on his musical talents and his passion for the music industry! As a musician Jon has performed with many legendary players and as a clinician and product artist he has introduced many innovative products to music stores and their customers over the last 30 plus years. Jon is closely identified with the two main products of his career, the Excelsior Accordion and the Digital B3 Organ.

Subject Info Jon Hammond Interview Date: January 13, 2011 Job Title: President and Founder Jon Hammond & Associates Jon Hammond has successfully created a … of his career, the Excelsior Accordion and the Digital B3Organ. (accordions, electric organs, Hammond B-3, Hammond Organs)

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Producer Jon Hammond

Alex Hsieh NAMM Oral History https://www.namm.org/library/oral-history/alex-hsieh

Alex Hsieh is the CEO of P.Mauriat Paris, a brass instrument maker in Taiwan that specializes in saxophones, trumpets and accessories. Their saxophone line of instruments are inspired by the late French orchestra leader Paul Mauriat (1925-2006) who was known in America for a series of pop recordings. Alex created the environment to ensure quality instruments were developed that could produce the sounds and tones used in Mr. Mauriat’s recordings. The results of these efforts have been a well-regarded product line and innovative models such as the PMST Saxophone and the Professional Bb Trumpet.

Interview Date:
January 24, 2014
Job Title:
CEO
Company:
P.Mauriat Paris
Tags:
Taiwanese Music Industry
Music Manufacturing
Saxophones
Music Accessories
Trumpets
Woodwinds
Brass Instruments
Band and Orchestra

Jon’s archive https://archive.org/details/JoeBergerNammOralHistoryInterviewUneditedLongVersionOfficial55

Youtube https://youtu.be/uFFMVHCkZ8w

Joe Berger NAMM Oral History Interview Unedited Long Version Official 55 minutes 4 seconds
by Jon Hammond

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics concert production, electric guitars, namm show, frankfurt musikmesse, joe berger, oral history, john entwistle, concert tours

Joe Berger
Interview Date: January 20, 2012
Job Title: Musician, Product Endorser – short version here also
http://www.namm.org/library/oral-history/joe-berger
Joe Berger knows sound! Joe has been mixing sound for over 30 years and he stopped counting at 35,000 bands! Also a virtuoso guitar player with his own definitive, unique playing style and “ear”, Joe has jammed with the likes of John Entwistle and Jack Bruce. He has also been a fixture at music trade shows for decades as a guitar demonstrator, having set a record for most hours played at a single trade show.
Tony Arambarri, Dan Del Fiorentino – NAMM Historians
Categories:
concert production
electric guitars
Guitars-Amps-Fretted
Jon Hammond
mixing consoles
Musicians
Musik Messe Frankfurt
NAMM Show
New York City NY
product endorsers

Run time 55 minutes 4 seconds
Audio/Visual sound

Jon’s archive https://archive.org/details/JonHammondsMusikmesseWarmUpPartyJazzkeller

Alpha Jon Hammondhttp://hammondcast.tumblr.com

Add to Calendar: Tuesday April 5, 2016 in the famous jazzkeller Frankfurt – Jon Hammond Band performs at 9PM

Celebrating 30 Years, As Seen On Cable TV 32 Years Jon Hammond Show MNN TV Channel 1 and Streaming Worldwide

FULL HIGH DEFINITION VERSION
29th Year! Jon Hammond’s musikmesse Warm Up Party jazzkeller – Big Special Thanks to my good friend Saray Pastanesi for absolute Masterpiece Birthday & 29th musikmesse Chocolate Chocolate cake!! It was delicious, every morsel was consumed and enjoyed!

Journal Frankfurt http://www.journal-frankfurt.de/journal_news/Kultur-9/My-home-away-from-home-Jon-Hammond-zum-27-Mal-auf-der-Musikmesse-18308.html

MY HOME AWAY FROM HOME

Jon Hammond zum 27. Mal auf der Musikmesse
Nomen est omen. Der Mann heißt Hammond und spielt eine Hammond. Der Organist aus New York freut sich auf Frankfurt und lädt zur Musikmesse Warm Up Party am 9.4. in den Jazzkeller ein.

JOURNAL FRANKFURT: Was war für Sie zuerst da – die Frankfurter Musikmesse oder Auftritte im Jazzkeller?
Jon Hammond: Die Musikmesse. Ich kam 1987 zum ersten Mal nach Frankfurt, zusammen mit Joe Berger, der auf der Messe für Engl Amplifiers spielte. Wir flogen mit der Lufthansa ein und teilten uns ein Zimmer im berühmten Prinz Otto Hotel am Hauptbahnhof. Schon in der ersten Nacht stellte mir Joe den großen John Entwistle, den Bassisten von The Who vor. Es wurde eine lange Nacht, in der wir Cognac tranken und Erdnüsse knabberten in eiern Suite des Marriott Hotels. Ich habe Joe bei einer Session mit John und Ringo Starrs Sohn Zak Starkey im Dorian Grey Club gefilmt bei einer Soundcheck Party. In den ersten paar Jahren spielte ich nicht oft live weil ich noch keine transportierbare Hammond Orgel hatte vor 1991 als ich den Prototyp einer XB-2 Hammond Orgel bekam mit der ich dann um die Welt reiste. Hauptsächliche dokumenierte ich aber die Messe für meine Cable TV Show in New York, die inzwischen im 29. Jahr als The Jon Hammond Show — Music, Travel and Soft News präsentiert. Die harten Nachrichten überlasse ich CNN und den großen Networks (lacht). Vom ersten Jahr an fühlten wir uns der Musikmesse eng verbunden, haben seitdem eine tolle Zeit hier, kommen jedes Jahr wieder bis wir kleine, alte Männer sind.

Das Jazzkeller-Konzert am Vorabend der Musikmesse ist zu einer netten Tradition geworden – wie kam es dazu, was bedeutet es Ihnen und wir werden Sie dieses Jahr diesen Abend im Jazzkeller zelebrieren?
Ab 1991 lernte ich mehr und mehr Musikmesse-Menschen kennen und die mich und auch einiges von meiner Musik. Einige von ihnen ermunterten mich, doch auch für Auftritte nach Deutschland zu kommen weil es hier doch ein Interesse an Hammond-Orgel-Groove-Music gab. Mit der schon erwähnten, kleinen, kompakten aber sehr kraftvollen Orgel war das alles möglich. Zudem machte ich in New York gerade eine schwere Zeit durch, mein Vater war gestorben und ich hatte das Gefühl, einige Veränderungen könnten meinem Leben gut tun. Also kam ich nach Frankfurt mit meiner XB-2, allerdings mit einem Rückflugticket falls etwas schief gehen würde. Ich rief viele Musiker an, ließ sie wissen, ich bin jetzt da, lasst uns zusammen spielen. Das war für mich der Anfang einer langen, sehr speziellen Beziehung, vor allem zum Frankfurter Publikum nach ersten kleinen erfolgen im Jazzkeller und einer kurzen Auftritt im Hessen Report im Fernsehen. Beatrix Rief verdanke ich dieses “lucky light on me”, eine tolle Erfahrung. Seitdem nenne ich Frankfurt “My Good Luck City” und im Jazzkeller begann auch alles für mich als Musiker. Deshalb liegt mir der Club auch so nah am Herzen, deshalb hatte ich auch die Idee, meine “Musikmesse Warm Up Party” dort zu realisieren, immer in der Nacht bevor die Messe startet was zu einer schönen Tradition wurde. Im ersten Jahr, in dem ich dann auch ein wenig Sponsoring von Philip Morris bekam, konnte ich damit einige Flugtickets für befreundete Musik bezahlen. Darüber war ich sehr glücklich. Dabei rauche ich selbst gar nicht.

Wie würden Sie Ihr persönliches Verhältnis zu Deutschland und Frankfurt beschrieben?
Lassen Sie es mich so sagen: ich liebe Frankfurt und die Frankfurter waren immer gut zu mir in all den Jahren. Ich könnte ein ganzes Buch über die Zeit schreiben, in der ich in Bornheim wohnte und Nacht für Nacht in der alten Jazzkneipe in der Berliner Straße auftrat. Das war der Treffpunkt, wo auch die Musiker der HR Bigband hinkamen und es gab eine generöse Chefin in der kleinen Kneipe. Auch Regine Dobberschütz und Eugen Hahn im Jazzkeller waren wahre Jazzengel für mich, die mir so vieles ermöglichten in der Zeit. Wir konnten auch in den Studios von AFN Radio spielen, waren die einzigen Musiker, die das – mit einer Sondergenehmigung des US Militärs – durften. Für ein wenig Promotion für die Musikmesse. Wir nannten das Programm für die AFN “Profile TV “-Show “Sound Police”. Wir hatten viel Spaß. Kein Wunder also, dass ich Frankfurt als my home away from home begreife und ich mich jedes Mal wieder freue zur Musikmesse zu reisen, in diesem Jahr übrigens zum 27. Mal in Folge. Und ich bin diesmal besonders aufgeregt, heim nach Frankfurt zu kommen weil ich gerade 60 Jahre alt geworden bin.

Wer wird in diesem Jahr zum Gelingen des Konzertes mit teils komponierter, teils improvisierter Musik, so nehme ich an, beitragen und was für einen Sound wird die Band präsentieren?
Ich habe etwa 90% der Kompositionen geschrieben, die wir spielen werden. Es ist die Musik, die man auch in meiner New Yorker TV-Show hören kann und die mich mehrmals um die Welt getragen hat. Meinen Stil nenne ich “Swinging Funky Jazz and Blues” und featurert die ganz wunderbaren Solisten in meine Band: Tony Lakatos, den großen ungarischen Tenorsaxophonisten, der auch Mitglied in der hr Bigband ist, dann meinen alten Freund Giovanni Gulino, diesen tollen Schlagzeuger, der schon für fast alle Großen der Szene getrommelt hat. Ich liebe diese Jungs. Als Gitarrist ist mein alten Freund und Kollege Joe Berger dabei, den man auch als The Berger-Meister kennt. Auf diese Formation bin ich wirklich stolz.

Werden Sie im Jazzkeller wieder eine Hammond Orgel spielen?
Ja, sicher, das neueste Modell, eine Sk1, die exakt so klingt wie die legendäre B3. Ich liebe sie. Und sie wiegt nur noch sieben Kilo (Anm. des Autors: Das Original, ein echtes Möbel mit viel Holz, mussten immer zwei Menschen mit viel Muskelkraft die Treppen rauf und runter hieven), ein deutliches Indiz, dass wir in der Zukunft angekommen sind. Da stecken viele Jahre Forschung und Entwicklung drin, auch Bühnenerprobungen. Ich ziehe den Hut vor den Ingenieuren von Suzuki, ein unverwüstliches Instrument erschaffen zu haben. Und das unterziehe ich jetzt einen echten Härttest (lacht).

Interview: Detlef Kinsler

Jon Hammond – organ Joe Berger – guitar Peter Klohmann – saxophone Giovanni Gulino – drums Mr. Hammond has toured worldwide since 1991 using the incredible Sk1 organ by Hammond Suzuki..™ “Classic Hammond Sound…In A Suitcase!” The Jon Hammond Show is a funky swinging instrumental revue, featuring top international soloists. The show has universal appeal. Big Hammond orgel sound – 100% organic

As seen on MNN TV Cable TV Show The Jon Hammond Show 32nd year — Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Journal Frankfurt, Journalkalendar, Jon Hammond, musikmesse, Warm Up Party, Hammond Organs, Frankfurt, Blues, Jazz, Soft News, MNN TV Channel 1 – Jazz Party of The Year! #JazzParty #CNNiReport

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/48MinuteDocumentaryJazzMovieBigBandWithOrganistJonHammond

by Jon Hammond

48 minute Documentary movie of Tuesday night session at Friends Seminary School in Manhattan, 5 original compositions!
“Head Phone” by Jon Hammond arranged by Todd Anderson
“Lydia’s Tune” by Jon Hammond arranged by Todd Anderson
“Late Rent” by Jon Hammond arranged by Todd Anderson
“Pocket Funk” by Jon Hammond arranged by Todd Anderson
“Have a Nice Day Blues” by Todd Anderson arranged by Todd Anderson
*Note: Tenor Saxophonist Arranger Todd Anderson was Jon Hammond’s teacher for Arranging and Compostion at Berklee College of Music in Boston MA in 1973. 10 years later they recorded this music for TV Show “The Jon Hammond Show” still on TV every week for 32 years, the recording session went down at Intergalactic Recording Studios where John Lennon did some of his last recording dates. The big band here is presided over by Professor Bob Rosen in charge of the music program at Friends Seminary School on Manhattan’s East Side, 230 year old school K – 12th grade. Top sight reading musicians gather weekly – more info: http://www.HammondCast.com ©JON HAMMOND International ASCAP / BMI

Photographs Courtesy of Elmar Lemes

L to R Joe Berger, Heinz Lichius, Michael Leuschner, Lutz Büchner, Fiete Felsch, Jon Hammond

NDR Horns, Head Phone, Funk Band, #NDRHorns #Headphone #FunkBand #HammondOrgan

I Stick With Sennheiser When It Comes To Head Phone

September 15, 2016

*WATCH THE FILM HERE: Head Phone Stick with Sennheiser

Jon’s archive http://ia601507.us.archive.org/7/items/HeadPhoneStickWithSennheiser/Head%20Phone%20stick%20with%20Sennheiser.mp4

Sennheiser (headphones) Momentum series

with tribute to Lutz Büchner on solo section:
Head Phone stick with Sennheiser (headphones) Jon Hammond’s 20th annual Musikmesse Session in Jazzkeller Hofheim – funky jazz with Giovanni Totò Gulino drums, Peter Klohmann tenor saxo, Joe Berger guitar, Jon Hammond at the Sk1 Hammond organ – Jon’s keyboard stand by
Bespeco Professional, Audio: Philipp, Konrad Neupert, Marvin Gans Jazzkeller Hofheim Team – special thanks Jeff Guilford / JJ guitars for operating the camera http://www.HammondCast.com

Sennheiser HD 25-1

Vimeo https://vimeo.com/163154149

Youtube https://youtu.be/bWUOjMJx_Cg

Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Head Phone, Sennheiser, Momentum Headphones, Funky Jazz, Musikmesse, Session, Hofheim am Taunus, Jazzkeller Hofheim, Bespeco Professional, #HammondOrgan #CNNiReport

Suzuki “The Name You Know” – Kartoffel – Breakfast of Champions (and lunch and dinner)!

Dankeschön Philipp for the Audio – and my favorite old Peavey Bass Amp!

Jon’s archive https://archive.org/details/JonHammondJonHammondNEAJazzLegendsPhotoShoot_mostimportantJazzPhotosinHistory

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Youtube https://youtu.be/sY-uPTPdnfY

329 views
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All Images and Video Film Copyright Jon Hammond International ©JHINTL
Usage Attribution-NonCommercial-NoDerivs
Topics NEA Jazz Masters, Jon Hammond, Anita O’Day, Chico Hamilton, Horace Silver, Ron Carter, Dana Gioia, HammondCast, Hammond Cast, KYOURADIO, Local 802 Musicians Union

From Jon Hammond Archive, Jon’s pictures taken of surviving and then present (2004) NEA Jazz Master legends, many from this list including Horace Silver, Louis Bellson, Anita O’Day, Ron Carter, Cecil Tayloar, Frank Foster, Benny Golson, Roy Haynes, Hank Jones and many more, enjoy!
Jon Hammond

Jon’s archive https://archive.org/details/JonHammondHessenReportRTLTVBeatrixRiefplugsJonHammond1991

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Youtube https://youtu.be/cncN3PvqcQw

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First lucky break for Jon Hammond in Frankfurt Germany appearing on Hessen Report RTL TV with big plug from moderator Beatrix Rief for upcoming shows at Jazzkeller. It was shot on a cold morning in Dec. 1991 in Venety’s on Sandweg in Frankfurt.

Special thanks: Beatrix Rief, Tino Pavlis, Frank Poehl http://www.HammondCast.com

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Producer Jon Hammond
Usage Attribution-NonCommercial-NoDerivs
Topics Beatrix Rief, RTL TV, Jon Hammond, Hessen Report, Jazzkeller, Tino Pavlis, Venety’s, HammondCast KYOU KYCY Radio

Jon’s archive https://archive.org/details/CruisingWithMyMusicByJonHammond1

Cruising With My Music by Jon Hammond HammondCast 102 on the radio #‎HammondOrgan #‎CNNiReport
EVENT: NAMM Show Warm Up Party!
https://www.facebook.com/events/906210386135636/

Head Phone, Funk Band, #Sennheiser #CruisingMusic #HammondOrgan

Full HighDef But Web Friendly Movie Lydia’s Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480

July 27, 2016

*WATCH THE MOVIE HERE: Lydia’s Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480

Jon’s archive https://archive.org/details/LydiasTuneHeadPhoneLateRentJonHammondFunkUnitNissanStage480

Lydia’s Tune Head Phone Late Rent Jon Hammond Funk Unit Nissan Stage 480
by Jon Hammond

Youtube https://youtu.be/qKjYrk0fOFw

Facebook video https://www.facebook.com/hammondcast/videos/10153615680412102/

Full HighDef But Web Friendly Movie:
First song: Lydia’s Tune – Jon Hammond Funk Unit on Nissan Stage Nashville https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit Nashville Music City Center, front line: Lee Oskar harmonica, Joe Berger guitar, Cord Martin tenor, Roland Barber trombone, Jon Hammond organ, Rhythm section Chuggy Carter congas & percussion, Louis Flip WInfield drums — Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit
Nashville Tennessee Nissan Stage Summer NAMM Show — Head Phone Late Rent Nissan Stage Jon Hammond Funk Unit with special guest Lee Oskar, Roland Barber trombone, Cord Martin tenor saxophone, Chuggy Carter congas & percussion, Joe Berger guitar (TV Jones guitar and pickups), Louis Flip Winfield drums, Jon Hammond Sk1 Hammond organ and bass Greg Herreman productions manager, Michael Apodaca & Alex Moore audio / Sound Image Nashville, Tennessee https://www.namm.org/thenammshow/2016/events/jon-hammond-funk-unit – The NAMM Show Summer NAMM Show Nissan Stage – Jon Hammond Band — with Cord Martin, Lee Oskar, Joe Berger, Louis Flip Winfield, Roland Barber and Leslie J. Carter at The NAMM Show. – all compositions composed & published by JON HAMMOND International ASCAP #NAMMShow #SummerNAMM #FunkBand #HammondOrgan #Nissan #Nashville #NashvilleMusicCityCenter

Producer Jon Hammond
Language English

Jon’s archive https://archive.org/details/2PMKickOffNissanStageSummerNAMMShow

2PM EST Jon Hammond Funk Unit kicking it off on the Nissan Stage at Summer NAMM Show Nashville Music City Center
Roland Barber – trombone, trumpet, sea shell
Cord Martin – tenor saxophone
Chuggy Carter – percussion
Louis Flip Winfield – drums
Lee Oskar – harmonica
Joe Berger – guitar
Jon Hammond – organ + bass
http://www.jonhammondband.com
‪#‎NAMMShow‬ ‪#‎SummerNAMM‬ ‪#‎NissanStage‬

Swingin’ Funky Jazz and Blues

Youtube https://youtu.be/ZN0ZU0nHYqc

by Jon Hammond

Published July 27, 2016
Usage Attribution-Noncommercial-No Derivative Works 3.0
Topics Lydia’s Tune, Head Phone, Late Rent, Jon Hammond, Web Friendly, Funk Band, Nashville, NAMM Show, Lee Oskar, #LeeOskar #HammondOrgan

Facebook video https://www.facebook.com/hammondcast/videos/10153582598117102/

Lydia’s Tune, Head Phone, Late Rent, Jon Hammond, Lee Oskar, Nissan Stage, #NAMMShow #SummerNAMM #HammondOrgan #Harmonica